Minute observation under 10× magnification and raking light reveals a tight and regular textile construction, with small annulated beads presenting a homogeneous glaze luster. Workshop micro-pits and slight chromatic heterogeneities attest to authentic ancient firings. Discrete alignment irregularities at corners, minute abrasions and residual blue ligature constitute convincing markers of ancient textile mounting.
The panel represents a stylized frontal face with a broad forehead, adorned with large almond-shaped eyes enhanced with black and cream under a dark eyebrow band. The nose and mouth are modulated in red-orange, creating a striking contrast with the dominant turquoise tones.
The back face presents the original textile weave with its peripheral support structure, testifying to the ancient mounting technique.
Edge and border
The perimeter is delimited by a continuous support border, with angle irregularities characteristic of original tensions. Natural sandy patina and minimal deposits lodged between the beads attest to authenticity.